Career highlights include gigs at Dance Place, Kennedy Center, Dance Omi, P.O.R.C.H., Dock 11, The Duke on 42nd St., Kaatsbaan, Marfa, TX, the Chelsea Hotel rooftop, National Gallery of Art, U.S. As a Teaching Artist Mom, I mine, swap, and alchemically mix choreographic research, antiracist pedagogy, and arts & crafts between stage, studio, classroom, and nursery.

Letters and places of home, education, dance family, and artistic practice include: BFA SUNY Purchase, MFA University of Maryland, CA, NY, Berlin, Stolzenhagen, AZ, DC. This is what my dances look and feel like, too. Right now: two babes on my hips, mothering as an act of resistance, a conversation through movement: bustling, razor-sharp, consequential, between us.īio Sarah Beth Oppenheim (she/her) I like dancing really hard after an excruciatingly slow roll down, only good burritos, sitting on a rock in the ocean with edge-of-curved-earth vibes, and moves inspired by the giddy up/mid-bucking bronco/fool’s gold panning of the Wild Wild West. Research interviews, a middle-age solo, and a 40-person community work define my current state of art mind. It crosses borders between studio-lab, classroom, proscenium, site-specific view, and our pillows. And I want us to continue teasing out meaning from the movement far beyond the site-specific view and theatrical timeframe. I want to invite you to grapple with choreographic content, alongside the cast and dance. I want to fold you in like a could-be-delicious batter. My creative process is a fringe, so large, banging, social, buoyant, revivalist, communal, personal, anatomical, skeletal, sinuous, space-eating, fun-loving, tender, tense, dreamhard, workharder, manifestation of a dance lab/test kitchen for mixing highbrow/lowbrow cocktails of construction paper, unusual bitters, and Tikkun Olam. Apply to research, choreography, performance, and teaching with appropriate, respectful context know when to wield and when to yield make malleable as a means of empathetic and curious care and excavation. Spurs could also start climbing back up the WSL table.Artist Statement My Artistic Manifesto: subvert, disrupt, question, cut & paste, reframe, saturate, flood, callback, repeat. If the 28-year-old gets off to a flying start, it could mean a spot in the Lionesses squad for the World Cup. The pair could potentially develop an effective partnership, with Spence supplying England with the service she needs.Įssentially, England’s move to Tottenham could be highly beneficial to both player and club. On a more positive note, England will be reunited with Drew Spence, who played for Chelsea from 2008 until last year. This isn’t automatically going to change with the addition of England, so she could still struggle to find the back of the net. This suggests the current problem at Tottenham is chance creation, with attackers receiving insufficient service from those behind them. LONDON, ENGLAND - OCTOBER 22: Shelina Zadorsky of Tottenham Hoptspur wears a rainbow captain's armband during the FA Women's Super League match between Tottenham Hotspur and Manchester City at Brisbane Road on Octoin London, England. Yes, Alessia Russo may have been the more consistent striker over the season, but it’s known that Wiegman likes to deploy the Manchester United star as a super substitute. With England likely to start for Tottenham for the remainder of this campaign, she will be given the opportunity to do exactly this. There is still time for England to prove to Wiegman that she should be the Lionesses’ starting striker, however, particularly if she manages to return to her brilliant form displayed during the 2019-2020 season. She didn’t play at all at Euro 2022, and has not been called up for the past two national team camps.Įven with Ellen’s White retirement in August, Alessia Russo, Lauren James, Ebony Salmon and even Rachel Daly have been preferred to England as Wiegman's attacking options in recent months. (Photo by Richard Heathcote/Getty Images)Īt the moment, England is an outsider in Sarina Wiegman’s plans. LONDON, ENGLAND - DECEMBER 05: Sam Kerr is replaced by Bethany England of Chelsea during the Vitality Women's FA Cup Final between Arsenal FC and Chelsea FC at Wembley Stadium on Decemin London, England.

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